There is not one moment of clarity that instantly falls upon the eyes or mind. There is not one instant one experiences freedom.
It happens bit by bit.
Awakening in the darkness,
in the suffering,
in the discomfort,
and in the dis-ease.
We begin to know it, like a dear and cherished friend.
There is a gradual unclogging, unfogging, and unraveling – that is the mystery of change.
That is the beauty of opening oneself to the potentiality of growing into something different.
Bit by bit, moment by moment, like pieces of a puzzle, thoughts and feeling, sensation and experiences, twist and turn and gradually find their way to fit together.
In that coming together, there is a sense of harmony and ease, perhaps even joy, that surfaces on the horizon,
not in overcoming the obstacles,
not in seeing the finished product,
but in feeling the creative process and drinking it all in.
Imagine an artist hand-working a tapestry with such precision that it rippled with perfection, had no evidence of flaws in material or craftsmanship, and contained absolutely no mistakes.
Would the artist call it perfect? Would they feel any less insecure in the results of their work? Would they recognize their accomplishment? Could they see their work as flawless? Is there such a thing? Would they want to be? And how would this perfect tapestry be received any differently than any others?
The brave artist announces mistakes not in shame, with excuses, or expecting judgment, but with joy in knowing that imperfections are not signs of our flaws and weaknesses but demonstrations of our beauty – and our capacity for compassion and forgiveness. Imperfections provide opportunities for us to create, again and again, not for the sake of achieving perfection but as play with absolutely no desired outcome other than the act of creating itself.
We need not be embarrassed, fearful, or ashamed in our mistakes. We and others benefit every time we craft with complete vulnerability and humility. Each mistake is important as it leaves space for love to come through.