The Ackland Museum at the University of North Carolina Chapel Hill just hosted an exhibit entitled “Good Object/Bad Object,” inviting visitors to examine works of art that defy customary decorum and could be called “bad” because they are unpredictably designed yet they achieve an emotional depth and resonant beauty equal to “good” art.
Bad objects are opportunities to explore the edge of our comfort zone and try on new ways of seeing the world.
When the role is taken on responsibly, a bad object can be the catalyst of change and inspire different thinking.
Isn’t it interesting how quickly we humans need to label things as good or bad when often those characteristics are circumstantial. Nature doesn’t operate that way.
In humans, often when a bad object occurs without sufficient planning and understanding, the artist might become defensive or even resentful, denying accountability for their creation. If they have not been provided the encouragement and freedom to create outside of traditional constructs, the artist might try to hide the bad object, its potential emotional depth and beauty lost.
More often than not these days I find myself stronger, more confident, and more accomplished when I step into the role of “bad object.” It is not that I am not good at these times. It is that I willingly take responsibility for non-conforming, breaking a patterned interaction, and inciting a shift in perspective to achieve a familiar level of resonance in an unfamiliar way.
There is a role for each of us as good objects and bad objects. The contrast reminds us of our undeniable ability to contain emotional depth and resonant beauty in the most surprising ways.
I reach out, spreading my branches despite the fog.
I do not know what I will touch or be touched by.
I cannot help but feel a darkness lurking there, fear ever present in knowing there may be hurt or pain in the unknowns and unkinds that secretly swirl around me.
The fog fuels my insecurity as the branches of other trees press against me further threatening my place in the sun.
It is then that I remember that I am made to bend and sway.
I reach not with my branches but deep down through my roots.
I extend my roots for both of us, steadying me and gently holding you so that together we can face the fog and darkness with greater certainty.
I am grateful to feel your roots hold me in return.
Under the pressure to withstand, when I feel and share my roots I need not push away those that cast shadows.